Beauty

//mineD//: A NEW COLLECTION FROM GINA MELOSI

Posted on by Ruby Warrington

With her new collection, //minD//, award-winning jewelry designer Gina Melosi has found a way to connect with her family history on both the physical and the metaphysical plane. Photographer: Maya Art. Art direction/model: Gina Melosi. Styling: Tony Hortal. Makeup/hair: Myo Mint. Color: Jason King at Lily Maila. Photographer’s assistant: Alessia Palombo.

After a recent trip to explore the Montana mines, visiting small mining town Butte ­‐ home to her recently deceased Grandmother ­‐ //mineD// embraces raw metal materials, intensified by the setting of uncut Sapphires, Herkimer diamonds and other locally sourced minerals such as Pyrite and Covellite. Returning to a recurrant theme in her work, the beauty which arises out of destruction ­‐ the broken, abandoned and overlooked ‐ this time she was inspired by her family history and a wish to feel a closeness to lost loved ones…

Director / videographer: Joseph Eardly

Why did you specifically want to create a collection inspired by your Grandmother?
A few things came together at once. I was thinking about doing something more related to my personal heritage, when my dad asked me to work on a project with him for a new book (he’s an environmental historian). Around this period I had a chance to visit my Grandmother in Montana (she lived in the mining town of Butte her whole life) for her 97th birthday. I hadn’t seen her for eight years, and I knew it’d be the last time. I was reminded that some of my fondest memories had been of dressing up in the costume jewelry that she handed down to me when I was a kid.

Is that why you went back to Butte to research materials for this collection?
And having grown up visiting mining ghosts towns and taking photographs, panning for gold, collecting rough garnets and sapphires, admiring the copper-hued treats on offer in souvenir shops…I was also fascinating to revisit it now that I had my own jewelry business and know so much about minerals and precious metals.

So what did you discover there?
The town of Butte is sprinkled with discarded mine shafts from before the world wars. There’s a huge open pit mine called Berkeley Pit, which, although it’s been decommissioned for ages, is open to the public for viewing. It’s a massive toxic lake and one of the largest Superfund sites. Interestingly, some species have evolved to ingest the heavy metal waters, and compounds have been isolated which have cancer-fighting properties. The themes of destruction, abandon, and neglect began to surface for me here. So I began filming and discussing further with my father, and the narrative for //mineD// started to flow…

How do you feel like you connected with your Grandmother creating this collection?
There has been a physical and emotional reworking of materials which were entrusted to me that’s felt like a powerful means of communication with her spirit. I was also able to look into the heritage of my whole family through connecting with their surroundings, and make a link to what I’m doing now with some of these very same objects. In this way, the project also helped me feel like I could connect more to myself.

And in what ways do you think your ancestors are alive in you?
I think my Grandparents are of the reasons I became a jewelry artist. When my Grandfather on my dad’s side retired from banking, he became an obsessive crafter. I learned the art of cross-stitch and developed a penchant for sequins from him. My mom’s mom collected all the glamorous costume jewelry that was popular in her day, much of which has been passed down to me. These stories and memories from my youth helped shape my interests and creative endeavors today, and in this way I believe they live on through me, bypassing words and filtering through the elements.

How do you define “family”, and why is this such an important theme in your work?
Our families’ influence defines who we are and shapes our personal approach to the world. It’s through our blood ties that we first learn about love. I don’t think we can figure out where we’re going if we don’t understand where we’ve come from, both physically and metaphysically.

Ginamelosi.com / @ginamelosi

 

HOW DO I LOOK? BEFORE YOU GET BOTOX, READ THIS

Posted on by Ruby Warrington

This is the transcript of a conversation with magical energetic aesthetician Maureen Dodd that talked Ruby Warrington down from the Botox ledge. Literally. Until a few weeks later that is…but enlightenment is a work in progress, right?

“Botox is cheating yourself, not anybody else. There’s a way of seeing ourselves where we don’t even notice the little lines that’s completely different to what we’ve been taught. That’s what energy is. That’s what this new wave of consciousness that’s coming in is all about.

Beauty is different now. It’s not about how porcelain your skin is, it’s about seeing beyond the obvious to the true depths of beauty. We really are mystical creatures, and yet we keep defining ourselves by a three-dimensional image.

Do you ever meet people who are completely free of that, and who are just shockingly beautiful? Because in their presence you feel free of any external expectations. We all want our mother, husband or boyfriend to tell us we’re beautiful, and if you can see the divine beauty in everything, then everybody IS beautiful.

People who’ve had work look distorted – and it becomes addictive. It’s like drinking a cocktail to make you feel better, but what is the drinking fixing? Before you get Botox consider this – the fix has to come from within. If somebody feels beautiful, I guarantee they’ll look beautiful. That’s when it becomes a spiritual thing.

We limit our thinking about healing all the time, by not considering how it works on the grander, infinite scale. Do we really believe in our full potentiality? And it’s the same with beauty. Why would you judge yourself, or deflate yourself at any age? Where does that come from? The biggest evil in the world is how we belittle ourselves.

I think this hyper visual world we’re in is a phase, at some point we will all be asked to forget about these petty concerns and think about how we can come in with our full essence. Like what does it really mean to embody LOVE? It won’t be about how good you look in a selfie.

That’s all I’m interested in, the idea that we all realize we are all as valuable and beautiful as each other. Soon somebody will take it to the next level and end that conversation. In the meantime, it’s a total test. And glamour is also huge business. But it’s not reality, and a very small facet of humanity.

Fear of ageing is because mostly people are afraid of getting unhealthy and dying, because we all know that beauty comes from how you see yourself and not caring any more about what men, or other women, think. But embodying that really is a precarious little platform.

But just like you create any other success in life, you create it on the inside. I think the soul shines through regardless of what procedures you’ve had – it’s the soul that’s luminous and larger than the physical body, and somebody’s who’s really radiating light, body and soul, they’re ridiculously beautiful.

If you’re truly in love with yourself and your life, and God or whatever, you couldn’t possibly think you were anything less than beautiful. I’ve never once looked at my daughter and thought; “yuk!” – so why are we so hard on ourselves?

Sure it’s about eating right every day, relaxing, being purgative of all toxins. But essentially it’s about the relationship with yourself – there’s no escaping your face. Natural healing is always about a belief in something that’s untangible, surrendering to the idea that your body knows what to do if you can just get out of the way.

Our bodies can heal from open heart surgery, yet we don’t we believe we can get rid of a few little lines organically and deeply from inside…what’s wrong with us?

Botox is a little poisonous Band-Aid. It’s like being bitten by a snake. Beauty beyond Botox is about a complete shift, and lifting your consciousness to where everybody is beautiful. It’s about dropping narcissism, the self-obsession that goes beyond ordinary awareness and becomes distortion. Can’t you do something better with that energy?

Stop thinking about the way you look all the time and just actualize yourself beautiful. It’s like dressing up for Hallowe’en – just do it, just be it.

The whole Botox question become so silly when you think about just how magnificent we are – like, who cares about some lines on our face? Honest to God, what is wrong with us? What is that? Maybe it’s a calling to a higher level of consciousness. After all, life is full of initiations.”

Maureen Dodd is Director at Spiritual Wellness and Energy Therapies at The Ash Center.

HERBAL BEAUTY: LOVE THE SKIN YOU’RE IN

Posted on by Ruby Warrington

Calling all New York Numis! This coming Wednesday March 26, Victoria Keen will host green witch Robin Rose Bennett in a special Urban Wellness Workshop on herbs to lift your spirit and enhance your natural beauty. And why not let vanity be your gateway into the magical world of healing herbs?

Ahead of the event, we caught up with Robin for a crash course in herbal enhancements…

WHAT WAS YOUR INTRODUCTION TO WORKING WITH HERBS?
I was looking for answers to my own health challenges that no doctor or dentist could solve for me and thus my deepest, most frustrating and painful physical challenges led me to my path and purpose and greatest joy. I always think it’s worth pointing that out. It can help us to focus on the expansions that naturally follow contractions when we’re going through difficult times, and help us to trust life more. And in fact, this is the best beauty treatment there is!

WHICH ARE THE HARDEST WORKING HERBS IN NATURE’S BEAUTY CABINET?
Roses. Both the flowers and the berries are rich in skin-healing compounds that increase the circulation in our skin and also smooth out wrinkles. The same is true of elder blossoms. The bio-flavanoids in these flowers are beautifying as they nourish the skin, just as you nourish your body when you are hungry. I believe we should think of our skin as another mouth – and only put onto the skin things we would put in our mouths.

Oats are another favorite, both used externally as smoothing scrubs and internally to build the health and vitality of our skin, hair, nails and bones, not to mention our nervous systems through an abundant array of vital minerals and vitamins. Calmness shows up as glowing vitality, a natural beauty, and so your constitution, whether you run hot or cold, lethargic or have too much energy, will influence the herbs, both internal and external, that will be the best ones for you.

Roses: increase the circulation in our skin and smooth out wrinkles

WHY DO OUR EMOTIONAL AILMENTS WREAK SUCH HAVOC ON OUR SKIN?
Well, this is a great question that we’ll explore more deeply in the workshop, but one way I look at it is that our skin is the natural “boundary” between us and everything outside of us. When stressed, that boundary often feels violated which will show up on the skin through inflammation that occurs as rashes, pimples and the like.

WHAT ARE THE OTHER ROOT CAUSES OF MOST WOMEN’S SKIN PROBLEMS?
Challenges in the body’s other natural filtration systems are the root causes of most skin problems. When the kidneys, liver, or lungs are in need of more support to work optimally, our skin will often do its best to filter out what our body can’t use. So skin challenges are a call to investigate what other systems deeper inside the body and psyche are in need of more nourishment.

Of course, when you put the right substances into the body, you don’t need to be so worried about what to remove. Having said that, sometimes certain foods trigger skin reactions. Also, hormonal system nourishment, particularly through aiding the liver which performs over 500 known tasks for us on a regular basis, will often help clear up and beautify skin and hair.

CAN YOU DESCRIBE YOUR OWN HERBAL BEAUTY REGIME?
Well, I’d like to quote musician-artist Joni Mitchell. When she was getting older and her mother was challenging her lifestyle choices, she replied; “Mom, happiness is the best face-lift!”

Joni Mitchell: Happy

So, it starts with attending to my happiness, which means getting enough physical movement and time outdoors with my feet on the earth, barefoot as often as possible, taking in the plants through my skin, and when that’s not possible, taking in the plants through putting my hands on the trunks of trees. Making time for myself and what feeds me is something I’m learning how to do more than ever before.

I also love oil baths with homemade oils such as pine needle oil, herbal infusion baths with oatstraw and facial masks with homemade herbal honeys infused with roses and violets (see recipe below).

A fresh clay masks is another one of my favorites. I harvest clay from a natural clay bed upstate once every couple of years and keep it covered in a jar with fresh water and it keeps wonderfully well. When you don’t have fresh, mixing dried green clay with water or aloe gel is a good second choice.

Finally, I use olive oil and coconut oil on both my hair and skin.

An herbal beauty regime is another form of nourishment. And nourishing ourselves translates to healing ourselves and healing ourselves translates to owning our gifts and our power, so that we then have vitality and energy to use in service of our Earth family, including all of nature, which, as we all know, is imperative.

The below recipe is from Robin Rose Bennett’s newest book, The Gift of Healing Herbs. With its aphrodisiac zing, she suggests it as the perfect “remedy” for spring fever!

ROSE VANILLA BEAN HONEY

Fresh rose blossoms or buds of any fragrant species – unsprayed
1 dried vanilla bean, as fresh as possible
1 jar wildflower, linden or clover honey

Cut off the ends of the vanilla bean, open it up lengthwise and scrape out the insides. Then cut the pod into small pieces and place every part of thr bean into a pint jar. Fill the rest of the jar with the fresh rose blossoms or buds. (If you are using dried roses use about 1 cup to fill the jar half full). Cover the herbs with honey and stir gently, poking here and there with a chopstick to make sure the honey saturates the herbs completely, and continue filling the jar to the top. Cap it, and wait six weeks or more before decanting. When you’re ready, decant the herbs by gently heating the honey until it pours like water, through a strainer into a fresh bottle.

Meet Robin Rose Bennett in person and get a lesson in creating your own herbal infusions for the skin and the spirit on Wednesday March 26 as part of Victoria Keen’s Urban Wellness Lecture Series. Tickets are $40 and available thought this link.

 

 

NAILS BY MEI: NOW AGE NAIL ART

Posted on by Ellie Burrows

In mystical iconography, our hands represent protection, healing and peace. In New York City, they’s also a blank canvas to display your spiritual leanings, says Ellie Burrows.

From Hamsas to Ahimsa to Mudras, the hand is ubiquitous in the world of sacred iconography. Considered a highly mystical appendage, it can symbolize protection, healing and peace. On a more material plane, the hands are a dexterous double act that allow us put food in our mouths, wear cute jewelry and communicate with rapid speed on tiny little devices.

And while some of us wear our heart on our sleeves,  I wear my spirituality on my nails. Just like I adorn the walls of my house with images of Ganesh and Guanyin to feel connected to a divine presence, I decorate my nails with little totems too, so I can connect with that energy on the go. It’s like a little wink from the universe every time I watch a set of miniature hand-painted Avalokitesvaras opening a door, or the planets swiping my Metrocard through a turnstile.

What began for me as an indulgent and rather flashy hobby has become a meaningful way to make a statement. The hands will always symbolize the sacred, but I like mine to also display it.

New York Numis! Manifest the metaphysical on something physical, and schedule an appointment with fairy-like Miho Kawajiri (@ciaomanhattan2012). Nails by Mei is a genius, a gifted artist, and the truly best in the business.

@ellieburrows

 

 

 

 

Miho Kawajiri, aka Mei, master of Ellie Burrows’ mystical nail art

TO THE FUTURE: A MYSTICAL JOURNEY WITH JULES KIM

Posted on by Ruby Warrington

New York jewelry designer Jules Kim views the world through a unique lens, where pixie queens and pop divas wear her creations like they’re living, breathing creatures. She talks self-expression, sweating it out and the beauty of imperfection with Ruby Warrington. Photos: Annie Powers. Styling: Raquel Griffin. Hair: Sayo Takegami. Makeup: Deanna Melluso. 

Cut-out t-shirt, Raquel Allegra; Rings, Bijules.

The latest collection is a re-birthing of your signature pieces – when was the last time you felt re-born? Why?
It was just a few days ago in Paris. I walked from the showroom I was based in in Palais Royal to Rue de Rivoli, where I saw my pieces on display in the Louvre’s retail boutique…none of my contemporaries were there to share this moment with me – none of my family, none of my friends – it was just for me…It was an overwhelming and humble feeling to allow a success such as this radiate through me…

How did that feel, physically?
I had been running from appointment to rendezvous, so exasperated, and my heart stilled and stopped racing when I stood in front of the glass jewelry case with the Bijules pieces shining beneath it. Like little emblems of hope, I was so proud.

You must feel very connected to your creations…
Bijules has been a passion project and always will be, and I believe that to have had developed something so heart-driven means it will grow into exactly what I intend it to be.

It strikes me that you see things with different eyes to other people. How do you maintain your unique worldview?
It has something to do with being an open and honest human being with a great compassion for others, almost to a fault…

How so?
I often find myself leading others to finding something they love, be it a person, a place, or even a job. But sometimes I can give too much and not ask for anything in return, and karma is not a single player game!  As an artist, I search for and absorb beauty 24 hours a day, any place I am…and I believe humility will always enrich my view of the world and allow for my original ideas to take shape.

Blouse, YSL.

Where did you ‘learn’ this – were you the same as a kid?
I’d like to hope so. My mom showed my sister and I how real beauty is natural and cannot be preconceived. I am half Korean and not one of my childhood friends could understand that, so most of my childhood I was searching for different looking things. Knowing they were different made them akin to me.

What is perfect about imperfection to you?
Classic…I say that alllll the time! I find perfection completely unattainable, just as success is always subjective. But it is the pursuit of perfection that gives me satisfaction. Even if the end goal is constantly evolving to suit the actuality of the pursuit.

Somebody told me that in New York, no-body will take you seriously until you’ve tried and failed at something. Because real strength of character comes from picking yourself up and trying again. What have been the most useful mistakes you’ve made?
There have been a combination of repeat offences when I’ve tried to work overnight miracles for celebrities. I guess I’ve learned that unwavering honesty and real originality are what lay the groundwork for true success.

What other major life lessons have you experienced?
I was raised by a single mother who struggled to find her own happiness and I saw very clearly that life is more complicated than one might ever assume. I feel gifted and blessed to have the capacity to love and expand my own experiences into a tangible product. In that way, Bijules is actually a platform for expression and altruism.

Necklace, Bijules.

Do you have a daily spiritual practice or touchstone?
There’s no definitive deity to whom I pray, but I look deep into myself to provide as much stability and reflection as I am capable of. It is my environment and those who I choose to populate that environment who provide the most support. I also hit the gym, Russian spas and saunas for a good sweat three times a week. I’m an extreme kinda girl! (Read Jules’s report on her Icelandic sweat lodge experience here).

And what about any sacred rituals you bring to the design process?
I am a storyteller, and I use both metals and marketing to weave these faceted tales of life, love, failure, success, and happiness. But my creative process relies heavily on exchanges with my staff, production team, and clients.

But do you meditate or do anything else to bring about your best creative ideas or state of being?
I have to sketch and physically record my creative sessions. The paper trail then serves as a relic to refer to as the ideas evolve. I draw when I’m in the air, on planes. Being disconnected is true bliss.

You’ve used your own body in your designs, is this so your clients are literally wearing a piece of you?
It is. Some might perceive this as an ego driven thing but in fact, it is the exact opposite for me. My body is just a human body. We all have one. So the idea is to celebrate that by making jewelry for each and every one!

Illustration: Sian Jordan.

You design for hipsters, celebrities and…elves?
Haha, cute! Yes, when I made my gold ear tip, I decided to sell it with a little bag of gold dust. I imagined a hot ass elf chick walking into a club before exiting to the bathroom to apply her party. She opens her black box of pixie magic and inside is a golden elf ear with a bag of 3 pennyweights (jeweller’s unit of measurement) of gold fairy dust. She dips her Bijules ear tip into the gold mess and as she slips it over her own. The dust falls around her shoulders and into her hair. Now she is ready to get a drink…

So which alternate realm are you incarnated from?
I’m not sure, but I do feel like an old soul whose ideas seem to be way ahead of the curve – and I thoroughly enjoy being first.

Il futuro is….?
Il futuro is Italian for ‘the future’….and mine is paved in gemstones, semi-opaque black diamonds flipped upside down and lots of crazy pieces, made for a few good people.

www.bijulesnyc.com
@bijules

LIVING IN A TECHNICOLOR DREAM WORLD

Posted on by Ruby Warrington

 

IF the following passage from Aldous Huxley’s seminal work, The Doors of Perception: Heaven and Hell, in which he quotes mystical Irish poet George Russell, doesn’t give you chills, then this blog probably isn’t for you. But if you find yourself there on the sand with Russell, feeling like a Goddess and getting down to some serious business with Mama Nature and her technicolor crew, then welcome. Sit back and enjoy the ride. This is The Numinous.
Continue reading “LIVING IN A TECHNICOLOR DREAM WORLD”

@NUMINOUS_BOOKS