Naz Onderoglu of Williamsburg’s new global style hub Soot & Tusk gets the spiritual scoop on Ilgin Utin’s India Trippin’ collection. Because it’s always about the journey…
If an open door beckons to you, please stumble in. On a recent stroll through Williamsburg, BK, we did exactly that, and soon found ourselves in fashion heaven – aka Soot & Tusk, a new boutique bursting with cool creations from independent designers across the globe. Founders Naz, Noyan and Veranika are as international a line-up as the clothes that lines the racks, and leads come from everywhere; “we travel, ask our friends or search all over the internet to find like-minded labels. So spread word, we’re looking for new designers all the time!” says Naz.
Designers like Ilgin Utin, whose incredible India Trippin’ collection is featured in this post. Erm, obsessed much? We asked Naz to reach out to Ilgin (modelling her own designs here) to get the inside scoop…
When were you last ‘India Trippin’? “I spent four months in India this winter, searching for what money can’t buy and finding my lost spirit, which it’s easy to forget about in my Western life. I had come to a point where I’d lost all interest in material life and my career goals had become meaningless. I realised I had been living in future, not in the moment, and my India trip helped me reconnect with the ‘now’, as well as my creativity.”
How does the country inspire you as an artist? “Initially it helped me remember the artsy mood of my childhood, but I also found a spiritual connection there which made everything meaningful again and I came to a conclusion that I had to integrate my spirit with my material work. In India, the colourful, fancy and extravagant material expressions are reflections of inner beauty, infused with this ancient, immortal culture of imagination. Seeing real people applying this creativity in their lives, I also figured out that you don’t need to do any research on the internet to be able to understand everything.”
What’s the most mystical experience you had there? “I had this foresight that I’d find a guru who will lead me on a mystical tour to unknown places and states of minds. But it wasn’t about this. There was no big mystery, I simply felt more grounded and connected to nature, as well as the consciousness that we are all a part of.
Really, no stories? “Well okay. I was traveling alone in Coorg following my passion for spices and herbs, and I ended up staying on a mountain homestay with a local family. When I met the guy he told me I was the only Muslim traveller that had ever come there, so he was so excited to introduce me his family. I went their 100-year-old house on the mountains, where there were no neighbours, only nature. On meeting his amazing family, I ended up stayed there for a whole week as they insisted.
“I quickly fell into remote village life, speaking Hindu with the mother, being a sister to his son. At nights we had deep conversations about life, and he would tell stories which were basic and pure, but also so illuminating. Of course, he didn’t know I was in a search of guru, but he told me ‘you can stay here as long as you want, we don’t expect anything in return you, but take me as your guru!’ This made me understand that everybody is a guru, from whom I could learn self-realization.”
Describe the woman you are designing for – who is your muse? “A woman with lots of confidence, with no hesitations and who doesn’t want to hide in the crowd. She likes to be noticed, but she shows up as her inner self, her child spirit. She is very much optimistic, colorful and enjoying life. I don’t have muses, but imaginary characters that I design for. She’s the woman that I want to be.”
What’s your astrological sign, and how does it help define your aesthetic? “I’m an Aquarius, and I think defines my personality, my lifestyle and my mentality. I believe I am really creative, free spirited, independent, reliable, outgoing, sophisticated and individual because of my sign. I know I born this way. My aesthetic is something I’ve developed by visiting and experiencing so many different cultures, and I’m always in progress and expanding my vision.”
Getting dressed in the morning, what’s your ‘fashion mantra’? “I never prepare my clothes the day before. So my mantra is; ‘put on your mood!’”
For more information about when Ilgin Utin’s India Trippin’ collection will be available contact [email protected]
When she decided to shave half her head and dress only in black, it was an homage to the unyielding potential of the Death card, says Gaby Herstik. Photos: Alexandra Herstik
My passion for what lies beyond the life we see, for spirituality and the occult, began when I was 12. That passion is something that alienated me, but it also gave me what I needed to truly find myself at a young age. At 16 I shaved off half of my long, brown hair, and began the process of fully growing into myself and finding my own personal style.
I decided to attend the University of South Carolina to study fashion merchandising and print journalism, an unusual decision considering Columbia, USC’s home, doesn’t necessarily condone pitch black hair, bright red lips, half shaved heads and eccentric clothes; all the hallmarks of my look.
But I never even considered attempting to change myself to blend in to my surroundings in Columbia. Early on my freshman year, I made a conscious decision to pretend I was in New York City, and to dress how I wanted to dress no matter what. No matter the side eyes, the questioning glances or the open mouth gapes; I decided to wear whatever it was that made me feel powerful, beautiful and capable.
It wasn’t until I truly owned my inner strength that I was able to become a Death Queen. Personally, I feel the most like a goddess when I wear all black, preferably with some faux leather and some high, high heels, and I choose what I wear for no one else but me.
But being a Death Queen is about more than clothes. It means understanding that endings are an unavoidable part of life, and that the beginnings that come from these endings are infinitely and vastly more powerful. A true Death Queen sees the positive in everything. A Death Queen understands that she can tap into her inner power to create her ideal reality.
Which brings us to the Death card. Death is number 13 in the classic tarot deck, a number that brings to mind its own macabre imagery – namely black cats and cursed Fridays. But Death herself rules transformation in the biggest and most powerful sense of the word; to draw Death is to draw new opportunities and ventures. Death literally represents the opening one door and the closing of another, and, when life feels either too structured or unsettling, often an open door is all you need.
And perhaps that is what defines a Death Queen; tapping into the unyielding potential within yourself to understand the importance and power of change, namely through the properties of death. Being a Death Queen isn’t a morbid fate, and nor is it a stifling existence that leaves you constantly dancing on the edge of life.
At first, change can seem intimidating and scary, ominous and eerie. Death is a forlorn concept, and its card is tainted by society’s portrayal of what it represents, not what it actually is. Death represents big, commanding change. Yes, it most definitely represents the end of something, but the new beginning it ushers in overpowers that ending by eons. Death is an energetic worker who helps you start fresh and start powerfully; if you want control of new beginnings, tapping into the energies of Death and her card is the surest way to go.
In this sense, a Death Queen is a woman who dances between the realms and uses her own power to manifest the most beautiful and positive situations she can, even when times get tough. She remembers that sometimes our judgments cloud our reality, and that being open, aware and present are the best tools in dealing with a tough time.
It’s not always easy to understand the language of your soul, but owning your inner Death Queen means creating a reality that you’re proud of; it means understanding that every ending is a new beginning. In this way a true Death Queen is a woman who’s drawn to examine the darker reaches of the soul, but is innately light.
Being a Death Queen means no more than owning every dark crevice your being, and then using this to create the most beautiful reality you can, to serve you in this life and beyond.
Born on the beach, raised in New York City and recently adopted by Los Angeles, Amber Ibarreche is an artist, designer and poet. A woman of few words – boy does she make them count. Images: Amber’s Instagram account.
What’s your favorite feeling? “Spirited.”Have you found the missing peace? “Yes. In love.”Your mantra? “Never hesitate to levitate.”Who’s the Goddess you most like fucking with? “Everybody is a Goddess. I fuck with everyone.”If you were a crystal, which one would you be and why? “Labradorite. It’s excellent for strengthening intuitions.”Where the hell have you been all my life? “Heaven only knows.”
With her new collection, //minD//, award-winning jewelry designer Gina Melosi has found a way to connect with her family history on both the physical and the metaphysical plane. Photographer: Maya Art. Art direction/model: Gina Melosi. Styling: Tony Hortal. Makeup/hair: Myo Mint. Color: Jason King at Lily Maila. Photographer’s assistant: Alessia Palombo.
After a recent trip to explore the Montana mines, visiting small mining town Butte ‐ home to her recently deceased Grandmother ‐ //mineD// embraces raw metal materials, intensified by the setting of uncut Sapphires, Herkimer diamonds and other locally sourced minerals such as Pyrite and Covellite. Returning to a recurrant theme in her work, the beauty which arises out of destruction ‐ the broken, abandoned and overlooked ‐ this time she was inspired by her family history and a wish to feel a closeness to lost loved ones…
Why did you specifically want to create a collection inspired by your Grandmother? A few things came together at once. I was thinking about doing something more related to my personal heritage, when my dad asked me to work on a project with him for a new book (he’s an environmental historian). Around this period I had a chance to visit my Grandmother in Montana (she lived in the mining town of Butte her whole life) for her 97th birthday. I hadn’t seen her for eight years, and I knew it’d be the last time. I was reminded that some of my fondest memories had been of dressing up in the costume jewelry that she handed down to me when I was a kid.
Is that why you went back to Butte to research materials for this collection? And having grown up visiting mining ghosts towns and taking photographs, panning for gold, collecting rough garnets and sapphires, admiring the copper-hued treats on offer in souvenir shops…I was also fascinating to revisit it now that I had my own jewelry business and know so much about minerals and precious metals.
So what did you discover there? The town of Butte is sprinkled with discarded mine shafts from before the world wars. There’s a huge open pit mine called Berkeley Pit, which, although it’s been decommissioned for ages, is open to the public for viewing. It’s a massive toxic lake and one of the largest Superfund sites. Interestingly, some species have evolved to ingest the heavy metal waters, and compounds have been isolated which have cancer-fighting properties. The themes of destruction, abandon, and neglect began to surface for me here. So I began filming and discussing further with my father, and the narrative for //mineD// started to flow…
How do you feel like you connected with your Grandmother creating this collection? There has been a physical and emotional reworking of materials which were entrusted to me that’s felt like a powerful means of communication with her spirit. I was also able to look into the heritage of my whole family through connecting with their surroundings, and make a link to what I’m doing now with some of these very same objects. In this way, the project also helped me feel like I could connect more to myself.
And in what ways do you think your ancestors are alive in you? I think my Grandparents are of the reasons I became a jewelry artist. When my Grandfather on my dad’s side retired from banking, he became an obsessive crafter. I learned the art of cross-stitch and developed a penchant for sequins from him. My mom’s mom collected all the glamorous costume jewelry that was popular in her day, much of which has been passed down to me. These stories and memories from my youth helped shape my interests and creative endeavors today, and in this way I believe they live on through me, bypassing words and filtering through the elements.
How do you define “family”, and why is this such an important theme in your work? Our families’ influence defines who we are and shapes our personal approach to the world. It’s through our blood ties that we first learn about love. I don’t think we can figure out where we’re going if we don’t understand where we’ve come from, both physically and metaphysically.
Oh yeah, you can imagine how much we heart new fashion label Aries Arise, a line of casual separates from street wear designers Sofia Prantera and Fergus Purcell…Nuff said.
“ARIES 4EVA”“Those marijuana leaf motifs you used to get on T-shirts in Ibiza”“Fergus and I like to have fun with cheap, bad prints”“It’s almost like going back to the 1990s”“We had people asking about the theme for the season…er, I don’t really do a theme”
What does “success” mean for me? It’s a question that’s been circling my very being since last summer when I interviewed Arianna Huffington about The Third Metric – her campaign to encourage us all to consider “success” beyond the relentless pursuit of money, accolades and power. And this week, I met a woman who has helped put into words the journey I’ve found myself on.
Melissa Curry is an Irish jewellery designer whose SUCCESS collection features a motivational amulet, designed to be gifted to the woman in your life you want to encourage to be the best she can be. A delicate rose-gold bracelet or necklace features an 18 carat gold bar inscribed with the word “Success.” And if, “the bar represents our inner strength, success can mean…everything,” she told me.
For Curry, whose personal journey has taken her from glittering career in Paris to destitute, single-mother of one, meaning some radical shifts in her own perception of success over the past decade; “it’s not about external power, and, for a woman, it’s certainly not about competing with men. It’s about being you, knowing what makes you tick, what makes your heart work, what makes your mind work, and embodying that.”
YES. Success for me is simply about being true to being me. At work, in my relationships and in my physical body. And this is when I realized that so much of what we cover on The Numinous is about tapping into exactly that.
From learning how to read and work with what the Astro Twins call your “factory settings” in your own astrological chart, to developing your intuition or “psychic powers” or embarking on a transcendental juice fast, isn’t so much of modern new age (what I like to call “now age”) thinking, about seeking to develop a more intimate and comfortable understanding of who we really are on the inside – and, therefore, what we really want?
For me, stepping off the media merry-go-round and leaving a high-profile magazine job to launch my own Internet project last year was the beginning of this journey. Creating something from my heart, working in my own environment, to my own hours and with the people of my own choosing has made me feel successful in ways that far eclipse the glamour, status and influence of my old life.
Of course, the fact that I can also structure my day to include a guided meditation to meet my spirit power animal is by no means going to tick the success box for everybody – but that’s the whole point. There is no one-size-fits-all definition of success.
And the fact I get emails every week thanking me for creating The Numinous is the icing on the cake. It’s also an illustration of how stepping into a definition of success that means something to me personally, I find myself giving something back and having a positive impact on the world around me almost by default.
My friend Jennifer Kass, a happiness coach and self-described “love pioneer” put a brilliant post up on Facebook the other day. In it, she described “The 3 Stages of Human Evolution (from my perspective, of course),” with step one, “Sleeping,” defined as; “Being stuck in a job and/or relationship that is toxic, causing physical mental and emotional ailments, denial, addiction, living in fear, anxiety, suffering, doubt, lack and limitation.”
Step two, “Waking up,” involves using all the Numinous tools – “meditation, self-love, healing, a return to wholeness, freedom, self-knowledge, joy” – to engender step three – “Action.” And here’s where the rubber really meets the road; “We take full responsibility for choices that will change our lives, and we let go of what is no longer serving us by taking courageous action.”
Further, she argues, “Now that we know who we are and what we’re here for, we go out into the world, sharing the gifts and passions we came here to, which in turn perfectly align with ending suffering on the planet in various forms.” A lofty ambition, maybe, but why not? Human suffering – and what alleviates it – comes in many forms too.
I’m not a big one for a motivational quote (quality over quantity, people), but I saw this, from Howard Thurman, at a Lululemon event recently; “Don’t ask what the world needs. Ask what makes you come alive, and go do it. Because what the world needs is people who have come alive.” And knowing your SELF – that is, being in direct conversation with the spirit being piloting your human form on a daily basis – is the only way to answer that question too.
Each piece in Melissa Curry’s collection comes with a little card, where you can write your definition of success. So what does it mean to you?
In mystical iconography, our hands represent protection, healing and peace. In New York City, they’s also a blank canvas to display your spiritual leanings, says Ellie Burrows.
From Hamsas to Ahimsa to Mudras, the hand is ubiquitous in the world of sacred iconography. Considered a highly mystical appendage, it can symbolize protection, healing and peace. On a more material plane, the hands are a dexterous double act that allow us put food in our mouths, wear cute jewelry and communicate with rapid speed on tiny little devices.
And while some of us wear our heart on our sleeves, I wear my spirituality on my nails. Just like I adorn the walls of my house with images of Ganesh and Guanyin to feel connected to a divine presence, I decorate my nails with little totems too, so I can connect with that energy on the go. It’s like a little wink from the universe every time I watch a set of miniature hand-painted Avalokitesvaras opening a door, or the planets swiping my Metrocard through a turnstile.
What began for me as an indulgent and rather flashy hobby has become a meaningful way to make a statement. The hands will always symbolize the sacred, but I like mine to also display it.
New York Numis! Manifest the metaphysical on something physical, and schedule an appointment with fairy-like Miho Kawajiri (@ciaomanhattan2012). Nails by Mei is a genius, a gifted artist, and the truly best in the business.
The creations of our most iconic fashion designers always reflect the traits of their sign – so what part of the Fashion Week Zodiac Wheel speaks to the fashionista in you?
ARIES: MARC JACOBS
**DARING ** SELF-CONFIDENT ** TREND-SETTING ** EGOTISTICAL ** ATHLETIC ** STRONG ** One of fashion’s true thought leaders, with the show that closes New York Fashion Week Marc Jacobs is pretty much the only designer out of NYC with the power to set trends (not just capitalise massively on them). He also turned high fashion on its head when he invented grunge, and famously spends two hours a day in the gym honing that athletic Aries physique.
TAURUS: DONATELLA VERSACE
Atelier Versace Couture 2014
**SENSUOUS ** AESTHETIC ** MATERIALISTIC ** LOYAL ** LUXURY-LOVING ** RELIABLE ** The ultimate material girl, Donatella’s vision never wavers – women have red carpets to walk down, and damnit she’s going to give them the glamazon gowns to do it in. When her brother Gianni (a flamboyant Sagittarius) was brutally gunned down in 1997, the Versace family knew they could rely on determined Taurus Donatella to follow in his diamante-studded, gold leaf inlaid footsteps.
GEMINI: HENRY HOLLAND
House of Holland AW07
**ORIGINAL ** COMMUNICATIVE ** QUICK-WITTED ** VERSATILE ** IMITATIVE ** As the sign that rules communication, is it any wonder that Gemini Henry Holland launched his House of Holland label with a line of cheeky slogan t-shirts? This set the tone for a playful streak that runs through every collection – the “House” in question also including his legion celebrity friends / fans always crowding out the frow at his shows.
CANCER: VERA WANG
Vera Wang Bridal SS14
**DEVOTIONAL ** DOMESTIC ** EMOTIONAL ** TRADITIONAL ** NOSTALGIC ** FAMILIAL** Who else but Cancer Vera Wang could have cornered the market for high fashion bridal gowns? Wang’s name has become synonymous with the kind of wedding that fairy tales are made of – having dressed everyone from Mariah Carey to Victoria Beckham for their big day. As Cancer also rules the home (and by default, wedding gift lists?), it makes sense that she expanded into homeware in 2002.
LEO: JEREMY SCOTT
Jeremy Scott SS14
** PLAYFUL ** CHILDLIKE ** ENTERTAINING ** DRAMATIC ** HUMOROUS ** FUN-LOVING ** The eternal club-kid, Leo Jeremy Scott refuses to grow up and get serious. This is the man who invented a pair of sneakers with a teddy bear’s head where the tongue should be, FFS. And he walks the walk. His own outfits are as outrageous as his you-cannot-be-serious creations, while in his case the lion’s mane is his signature (sometimes peroxide blonde) quiff / mohawk.
VIRGO: STELLA MCCARTNEY
Stella McCartney SS14
** PERFECTIONIST ** RESERVED ** INTELLIGENT ** PRACTICAL ** DETAIL-ORIENTED ** NEAT ** Smart women love Stella’s less-is-more, demure-yet-doin’ it approach, and, as a health-conscious, righteous Virgo, she’s as known for her staunch vegetarianism as her catwalk prowess. Hello seriously discerning women paying astronomical sums for pleather bags and shoes. Consistently hailed as a designer who serves the needs of “real women,” she also has a penchant for virginal white.
LIBRA: DONNA KARAN
Donna Karan Urban Zen
** BALANCED ** SOCIALLY AWARE ** GRACEFUL ** REFINED ** RELATIONSHIP-ORIENTED ** Before Donna Karan came along with her ‘Essentials’ line in 1985 – seven easy pieces that could be mixed and matched to create the perfectly balanced work-life wardrobe – there were suits and there were leisure suits and there wasn’t much in between. She was also being true to her Libra roots when she launched her Urban Zen foundation, selling thousand dollar shirts to aid indigenous cultures and support holistic wellness studies.
SCORPIO: RICK OWENS
Rick Owens menswear FW09
**INTENSE ** SEXUAL ** MYSTERIOUS ** AGGRESSIVE ** TRANSFORMATIVE ** FORCEFUL ** Who else but Rick Ownes would you wear to a high fashion sex party in the backstreets of Berlin? Not only is his all-black aesthetic directly out of some futuristic occult situation (I mean, he has a diffusion line called DRKSHDW), his bondage-inspired creations have the power to totally transform the body of the wearer. And, openly bi, you just know he and his wife Michele Lamy are into some kinky shiz.
SAGITTARIUS: JOHN GALLIANO
** OUTGOING ** EXPANSIVE ** BLUNT ** FORTUNATE ** PROFESSOR ** MORAL ** Outspoken to, ahem, a fault, it’s still unclear where disgraced designer John Galliano will settle following the antisemitic outburst that got him sacked from the top spot at Dior in 2011. After a guest slot at Oscar de le Renta (brokered by none other than Anna Wintour, hello resourceful Scorpio fashion fairy godmother) for AW13, rumors are circulating that he make take up a teaching post at Parsons.
CAPRICORN: DIANE VON FURSTENBURG
** PRACTICAL ** BUSINESSLIKE ** AMBITIOUS ** AUTHORITATIVE ** FOCUSSED ** REALISTIC ** Where would working women the world over be without Capricorn DVF and her iconic wrap dress?? The consummate fashion mogul, when she launched her company in 1970 her decision to “be someone of my own, and not just a plain little girl who got married” made her a figurehead for fashionable feminists. A walking talking brand in her own right she was even named President of the CFDA in 2006.
AQUARIUS: MARY QUANT
** INNOVATIVE ** REBELLIOUS ** INDIVIDUAL ** LIBERAL ** AWAKENING ** FREE ** Nobody but Aquarius Mary Quant could have invented the mini-skirt, and in doing so single-handedly created a uniform for the 1960s women’s lib movement. Although she always handed the credit to her customers; “It was the girls on the King’s Road who invented the mini. I was making easy, youthful, simple clothes, in which you could move, in which you could run and jump, and we would make them the length the customer wanted. I wore them very short and the customers would say, ‘Shorter, shorter.'”
PISCES: ALEXANDER MCQUEEN
**IMAGINATIVE ** FANTASTICAL ** CREATIVE ** VISIONARY ** OTHERWORLDLY ** MYSTIC ** May we all bow down to the memory of Pisces Alexander McQueen, a true fashion visionary whose beautiful, fantastical creations seemed like they were beamed onto the catwalk from another dimension. Taking skulls and religious iconography as his motifs, his work was entirely impractical, darkend by an obsession with the realm beyond the veil, and utterly, achingly, beautiful.
iamVibes is a street fashion label from singer songwriter Tom Hardless, with designs revolving around the Islamic symbol of the Hamsa, believed to provide defence against the Evil Eye. In other words, essential kit. And from our email conversation, Tom also seems like the mystical kind of guy you find yourself getting deep and having a “moment” with at some random house party. Enjoy.
SO WHAT’S THE STORY BEHIND IAMVIBES? iamVibes was created officially in 2012 through a vision that came to me in a heightened state of awareness whilst meditating. I was in a very clear headspace and this image of a hand with an eye in the center of it came to me. I did not know what it was or why it was meant for me, but following this, I had a channelling of the word “HAMSA.” When I say channelling I mean that in opening your mind fully to the universe, it shows you things and makes you feel things to help you be a creative, happy, balanced human. With a little bit of research and learning, I came to understand what this symbol stood for, what it meant to me and how I could incorporate my energy into this symbol to make it my own.
WHAT DOES THE HAMSA MEAN TO YOU? This Hamsa is me. It is my life experience of where I have been and where I am going. It is every thought and feeling. It is every connection, good and bad, accumulating into a beautiful symbol to inspire myself and others around me. It is my creative freedom and tool of sustainability. It is everything I am and wish to become.
WHAT MADE YOU DECIDE TO TAKE THE PROJECT TO THE NEXT LEVEL? Over the course of the next two to three years, I found myself connecting to two very interesting beings, both dealing with some dark traumas as a result of abuse at a younger age. One of these beings became my main muse for turning iamvibes into a serious creative endeavour. As a young model, struggling to make her mark, she made me realise you really have to push your creative channels, even if you’re hurting. That sometimes you must endure tough times to reap great cosmic rewards. She is now one of the most well known models out there and has walked for all the top designers and is best known for the colours in her hair.
SO THIS IS ABOUT MORE THAN JUST FASHION, RIGHT? When my beautiful journey with this being came to an end, I felt the need to stay connected with her by holding onto the emotions she inspired. So I took it upon myself to really push my creative vision, without any education of business or fashion and only pure emotion and creativity to guide me. Through these experiences and more, I realised the clothes I produced could represent protection against negative forces as well as projecting positive energy to hopefully inspire others to look for a deeper perspective and understanding of this life.
HOW DOES YOUR THIRD EYE INFORM THE DESIGN PROCESS? The actual eye in the designs is there as a representation of the Universe at your core, projecting pure energy. But my physical third eye (the pineal gland) and my metaphysical third eye guide me through the design process. Both these “eyes” have to be relaxed so I can tune into higher realms of creativity to move forward. Everyone is different and has different techniques to learn to do this, each must find their own way of opening their “eyes” but a good place to start would be learning some breathing techniques which resonate with you, and help relax and open your inner Universe.
Jago Yoga founder Erica Jago talks to Ruby Warrington about finding her freedom at the Burn and creative collaborations her her twin flame. Images by Michael Chichi.
I first came across the work of Erica Jago and Michael Chichi in Art of Attention, the book Erica co-authored with NYC yogini extraordinaire Elena Brower.
The book opens with instructions for a fast-paced flow sequence to Reduce Tension and Find Forgiveness, and I was blown away by Michael’s accompanying images of Erica and Elena, set against the backdrop of Burning Man’s Black Rock City.
This was yoga FROM ANOTHER PLANET. One where fierce postures were infused with fashion, sex and a powerful and raw femininity. At the time, The Numinous was still in the very earliest phases of conception – but; “look,” I would tell people, “THIS is Numinous.”
When I reached out to Erica and Michael about creating some images for the site, I was beyond psyched when they said yes. Here are the results. And here is Erica on her yoga, her man and how she believes “my spirituality, sexuality and creativity” are one and the same thing.
ERICA, I FIRST CAME ACROSS YOUR WORK IN ART OF ATTENTION. HOW DID YOU AND ELENA FIRST CONNECT? Elena’s poetic yoga classes came into my life right when I needed support and inspiration. I was transitioning out of a 13-year relationship, my job had just laid me off and I had no choice but to take my dreams seriously. Terrified of failure, I reluctantly sent her a pdf of my book and within days she responded with; “Could we / should we work together?” DREAM COME TRUE! Our relationship since has completely changed the course of my life. Not only did Elena bring me into her world, but she encouraged me to elevate mine on every level.
AND HOW DID YOU AND MICHAEL FIRST MEET? Michael! My twin flame. I was kind of stalking him online, because his photography and artwork made me swoon. It’s like he spoke the language of my heart through his visuals. Again, it came down to ASK and you shall receive. When I first reached out, we agreed to met in person about web design and photography. What I thought was a “business meeting” turned quickly into a discussion about relationships, spirituality and…Burning Man!
AH, THE BURN. IT’S IS OBVIOUSLY A SPECIAL PLACE FOR YOU TWO… When I finally started attending these transformational festivals with Michael, I found myself moving my body and expressing myself ‘wildly,’ in a way that used to invoke caution to be careful, to be realistic and remind myself of my own limitations. Instead these experiences liberated and revolutionised my self-confidence. After years of putting out the request to learn self-love, I believe the Universe conspired the union between Michael and I that brought me to the Burn through the spiritual law of attraction.
WHAT ARE YOUR SIGNS, AND WHAT PART DOES THIS PLAY IN YOUR RELATIONSHIP? Michael is Sagittarius, I am Leo. Both Fire signs! I believe Michael appreciates the way I’m not afraid to shine and take the lead, and I respect his outward focus on the world.
WHAT DOES IT FEEL LIKE TO CONNECT WITH EACH OTHER ON A CREATIVE LEVEL? Michael’s favorite line is; “When two people are saying YES, anything is possible…”
CAN YOU DESCRIBE THIS PROCESS TO ME? You can count on me to take the lead in many, if not all of our creative projects. Michael shows up with a willingness to work as a team and there is a clear understanding on both our parts that there is something much larger at work here. We both know our place in the process, and our fiery passion to express beauty is magnetic to the type of work we attract. Hence working with The Numinous!
WHAT WAS THE INSPIRATION FOR THE PROJECT YOU SHOT FOR US? Our inspiration for this shoot was really the sculpture. Michael knows both the artists, so we sought their pieces out specifically. Also, we always tried to shoot at 6am or 6pm, which we call ‘magic hour,’ that cinematic time of day with its soft luminosity.
YOU REALLY KNOW HOW TO PUT A LOOK TOGETHER. WHERE DO YOU GET YOUR CLOTHES AND HOW DO YOU STYLE YOURSELF? My favorite designer is Lurdes Bergada. I found them in Barcelona while biking near the Rambla Catalunya. The window display stopped me in my tracks; feminine in nature but with that REVOLUCIÓN androgynous feel. I seek contemporary clothing with soft lines, clean shapes and natural fabrics for practicing yoga in, but which still have a sensual side for bopping around town and meeting friends out. The saris women wear in India are a huge inspiration for me and I love to adorn my body with bangles and bracelets…and body paint!
ANY RULES FOR THRIVING IN THE DESERT ENVIRONMENT? Love your camp.Have a cushion for your bike seat. Plenty of baby wipes
SO WHAT’S THE PHILOSOPHY OF YOUR YOGIC PRACTICE? When we meet on the mat, I believe we are doing the work to become whole. This is an act of remembering who we really are, when all the outside programming and input is brought to a minimum and we resolve to stay present in the heart. In fact, the heart breath is an excellent way into our wholeness. Keeping our awareness right above the heart and below the throat is how we align all aspects of ourselves with love. It means seeing this life as a gift that we are the caretakers of.
AND DO YOU HAVE A PERSONAL LIFE PHILOSOPHY? I think everything we say, do and think has to be a “win, win” for all concerned, otherwise it’s not worthy of the heart space. And that if we practice together, we are in it together..
WHERE DID YOU GET YOUR NATURAL AFFINITY FOR SPIRITUAL TEACHINGS? My grandmother was one of the first evangelical women preachers in Ohio and my father has saved cassette tapes of her voice in church. When I listen to those teachings I can hear the same inflection in my voice when I’m guiding a group. So there’s a lineage here that my soul signed up for, and it’s like my body is equipped to further the universal messages of love through art and design. I know my grandmother is very proud.
FINALLY, IN WHAT WAYS IS ‘BEAUTY’ AN EXPRESSION OF THE SPIRITUAL? I love this question. I see no difference between my spirituality, sexuality and creativity. All three are working to evolve us into the next level of love through beauty and attraction. Beauty drives the feeling of peace and until each one of us knows how to find that place in ourselves, and to align with it, we will never have world peace.
New York jewelry designer Jules Kim views the world through a unique lens, where pixie queens and pop divas wear her creations like they’re living, breathing creatures. She talks self-expression, sweating it out and the beauty of imperfection with Ruby Warrington. Photos: Annie Powers. Styling: Raquel Griffin. Hair: Sayo Takegami. Makeup: Deanna Melluso.
Cut-out t-shirt, Raquel Allegra; Rings, Bijules.
The latest collection is a re-birthing of your signature pieces – when was the last time you felt re-born? Why? It was just a few days ago in Paris. I walked from the showroom I was based in in Palais Royal to Rue de Rivoli, where I saw my pieces on display in the Louvre’s retail boutique…none of my contemporaries were there to share this moment with me – none of my family, none of my friends – it was just for me…It was an overwhelming and humble feeling to allow a success such as this radiate through me…
How did that feel, physically? I had been running from appointment to rendezvous, so exasperated, and my heart stilled and stopped racing when I stood in front of the glass jewelry case with the Bijules pieces shining beneath it. Like little emblems of hope, I was so proud.
You must feel very connected to your creations… Bijules has been a passion project and always will be, and I believe that to have had developed something so heart-driven means it will grow into exactly what I intend it to be.
It strikes me that you see things with different eyes to other people. How do you maintain your unique worldview? It has something to do with being an open and honest human being with a great compassion for others, almost to a fault…
How so? I often find myself leading others to finding something they love, be it a person, a place, or even a job. But sometimes I can give too much and not ask for anything in return, and karma is not a single player game! As an artist, I search for and absorb beauty 24 hours a day, any place I am…and I believe humility will always enrich my view of the world and allow for my original ideas to take shape.
Blouse, YSL.
Where did you ‘learn’ this – were you the same as a kid? I’d like to hope so. My mom showed my sister and I how real beauty is natural and cannot be preconceived. I am half Korean and not one of my childhood friends could understand that, so most of my childhood I was searching for different looking things. Knowing they were different made them akin to me.
What is perfect about imperfection to you? Classic…I say that alllll the time! I find perfection completely unattainable, just as success is always subjective. But it is the pursuit of perfection that gives me satisfaction. Even if the end goal is constantly evolving to suit the actuality of the pursuit.
Somebody told me that in New York, no-body will take you seriously until you’ve tried and failed at something. Because real strength of character comes from picking yourself up and trying again. What have been the most useful mistakes you’ve made? There have been a combination of repeat offences when I’ve tried to work overnight miracles for celebrities. I guess I’ve learned that unwavering honesty and real originality are what lay the groundwork for true success.
What other major life lessons have you experienced? I was raised by a single mother who struggled to find her own happiness and I saw very clearly that life is more complicated than one might ever assume. I feel gifted and blessed to have the capacity to love and expand my own experiences into a tangible product. In that way, Bijules is actually a platform for expression and altruism.
Necklace, Bijules.
Do you have a daily spiritual practice or touchstone? There’s no definitive deity to whom I pray, but I look deep into myself to provide as much stability and reflection as I am capable of. It is my environment and those who I choose to populate that environment who provide the most support. I also hit the gym, Russian spas and saunas for a good sweat three times a week. I’m an extreme kinda girl! (Read Jules’s report on her Icelandic sweat lodge experience here).
And what about any sacred rituals you bring to the design process? I am a storyteller, and I use both metals and marketing to weave these faceted tales of life, love, failure, success, and happiness. But my creative process relies heavily on exchanges with my staff, production team, and clients.
But do you meditate or do anything else to bring about your best creative ideas or state of being? I have to sketch and physically record my creative sessions. The paper trail then serves as a relic to refer to as the ideas evolve. I draw when I’m in the air, on planes. Being disconnected is true bliss.
You’ve used your own body in your designs, is this so your clients are literally wearing a piece of you? It is. Some might perceive this as an ego driven thing but in fact, it is the exact opposite for me. My body is just a human body. We all have one. So the idea is to celebrate that by making jewelry for each and every one!
You design for hipsters, celebrities and…elves? Haha, cute! Yes, when I made my gold ear tip, I decided to sell it with a little bag of gold dust. I imagined a hot ass elf chick walking into a club before exiting to the bathroom to apply her party. She opens her black box of pixie magic and inside is a golden elf ear with a bag of 3 pennyweights (jeweller’s unit of measurement) of gold fairy dust. She dips her Bijules ear tip into the gold mess and as she slips it over her own. The dust falls around her shoulders and into her hair. Now she is ready to get a drink…
So which alternate realm are you incarnated from? I’m not sure, but I do feel like an old soul whose ideas seem to be way ahead of the curve – and I thoroughly enjoy being first.
Il futuro is….? Il futuro is Italian for ‘the future’….and mine is paved in gemstones, semi-opaque black diamonds flipped upside down and lots of crazy pieces, made for a few good people.
If the contents of your closet reflects who you really are, what to do when nothing’s working any more? Call in your friend Psychic Betsy to help intuit what should stay and what really needs to move on.
“Who IS she?” Photograph: Megan Gustashaw
The past two years have been a time of major transition for me. A move to NYC, a radical change in my daily working life and a slow and steady slide to the other side of 35 are the obvious, surface things. But internally, things have been shifting too. With Pluto (planet of transformation) squaring Uranus (the future, individualism, radical and progressive ideas) since June 2012, I get the feeling I’m not the only one (you can read more about THAT whole situation here) but one of the major tell-tale signs that I’m no longer the woman I used to be is that peering into the labyrinth that is my closet, I often can’t find anything to wear.
In fact, it’s more like taking a trip down memory lane in my Facebook photo archive. That dress I wore to rave the summers away in Ibiza. The jacket that felt so sharp when I landed my first proper newspaper job, but which I haven’t actually worn since 2007. If what’s in our wardrobe is really a reflection of the person we are, at times it’s been like grappling with a case of multiple personality disorder. I look inside, and it’s like…who IS she?
It had got to a point where I’d just wear the same things ALL THE TIME, waiting for precisely the right meeting, party or dinner date when a 1980s sweater covered with gold sequins would obviously be just the thing. In the meantime, with so many perfectly good clothes waiting to be worn (I mean we’re talking a lot of designer goods here too people) I hardly felt justified buying new stuff to bridge the gap. Clearly, it was time for the closet clear out to end all closet clear outs. But where to begin?
Ruby, are you in there?It makes me look like Kate Moss, right?
Our personal style is ruled by Venus, and in my case that comes with a serious case of Pisces sentimentality, not to mention a heady dose of fantasy and self-delusion (of course I looked like Kate Moss circa Glastonbury 2005 in that vintage beaded vest). I was going to need external help with this – and who better than my friend Psychic Betsy? A gifted intuitive who specialises in finding practical tools to aid in your personal and spiritual development, I felt that with her help I would finally be able to cut the crap and find the real me.
Before she arrived, I did a brutal edit – anything I hadn’t worn for 12 months or more was up for the chop, as was anything that had been making me feel like an imposter in my own skin. Together, we then did a short meditation to set an intention for the session – basically, to make space in my wardrobe for the new, updated Ruby. We also visualized all the clothes I got rid of finding their way into the hands of women who would rock them like they deserved to be rocked.
And as we began working through the pile, several things quickly became clear. No. 1 – I am no longer the good time girl who danced her way through my 20s and early 30s in a blur of cocktails and fashion forward frocks. “’I used to wear this in Ibiza’ is coming up a lot,” Betsy pointed out. And having got deep into a decade-long love affair with the infamous party island (to the point I even edited a magazine there for two whole summers), there was obviously part of me that still felt very attached.
Taming my inner hedonist has been a conscious choice – mainly because these days I want to be more present for the highs that show up in my life– “but I don’t want to say goodbye to the fun times forever,” I whined. The answer from Spirit? “But you have fun in other ways now, and don’t you need new clothes for that?” Sayonara, frilly pink mini dresses and tiger print crop tops.
The old me: cocktails and frilly pink frocks
It also became obvious that in certain cases my “sentimentality” was masking some serious lack mentality. We unearthed numerous “placeholders,” things I was hanging onto for dear life because I might need them one day – rather than setting the energy in those particular items free to come back to me in new and frankly waaaay cooler form. Now this was a concept I could get my head around. But in some cases, saying goodbye to things that had been with me for years was as painful as kicking old friends to the curb. “So take a photograph. That way you can keep the energy of them close, but make room for new friends too!”
Anything I spoke about in the past tense was also a straight up “NO,” but of course there were some things I was seriously on-the-fence about. “So let’s do a little intuition 1-0-1,” suggested Betsy, who then had me close my eyes and picture another woman wearing and loving the item in question. “How does that feel, in the space right below your belly button?” Well good, actually, expansive and happy. “And now imagine yourself putting it on.” Stifled, stale and tight. This was getting easier by the minute.
As little as an hour later, virtually everything on the pile was ready to be packed up and shipped off to my local clothing exchange store – save for a few items I had got a very strong sense I should pass on to my friends Gabby and Gala (the three of us recently formed a sort of fashion maven holy trinity on an impromptu trip to Gabby’s favourite store, Reformation, on the Lower East Side). Maybe it was Betsy’s presence, but I just *knew* they’d love them.
The sense of clarity, lightness and relief I’ve been feeling since has been liberating to say the least – as a friend recently confided to me, “purging (as in, energetic purging) might be my secret favourite thing.” Of course there are huge gaps in my wardrobe that now need to be filled, but how much fun is THAT going to be?And of course, there’s a fittingly serendipitous P.S.
When I took my haul to the exchange the woman next to me was unloading a job lot of Helmut Lang samples, including just the black jacket to replace my faded “placeholder.” I walked out wearing it, with a cheque for $142 in my pocket for the rest of my swag. And when, the next day, I found myself with five minutes to spare in Soho, I wandered into the Jerome Dreyfuss boutique. I’ve been on the hunt for a new wallet, as Gala has a theory that an upgrade can help attract abundance into your life.
#abundance
And what do you know, after weeks of searching (it had to be red and the right size for my mini Marc Jacobs handbag – not an easy score) it turned out they had just the thing. But it was from last season so they had to fetch it up from out back, and it also happened to be on sale. For precisely $142.
Betsy Cohen is available to assist with your psychic closet clear out too! To make an appointment, go to www.newyorkcitypsychic.com
NY-LA fashion label by former stylist Jaclyn Hodes
In nature: a wave, followed by a wake
In spirit: a wave of kundalini energy, leading to awakening
All images: AWAVEAWAKE s/s 2014 presentation
“It’s a collection that doesn’t scream ‘eco’ – it just is,” says designer Jaclyn Hodes of her fledgling label AWAVEAWAKE. Having featured recently in Vogue and been picked up by buyers at Opening Ceremony, the line’s conscious credentials are hopefully; “something felt, if what you see is just something beautiful. I’m not trying to be super conceptual, but hopefully there is a sense that’s there’s something more behind what are essentially quite simple designs.”
The AWAVEAWAKE aesthetic is sort of Courtney Love circa the Cobain years, meets Buddhist monk. Oh-so-very now age. Cut long and a lot on the bias, and manly from silk, colours for the S/S 14 line (featured here) were inspired by a trip to Chiang Mai in Thailand, with titles like ‘Sprit Peach’; “it has a very specific vibration, a little Hari Krishna I guess.”
All dyes are natural and done in Los Angeles, where Hodes spends half her time. “We were working with a natural dyer in Portland, who was able to get the truest black I’ve ever seen, like she was actually doing some kind of black magic. But she was too expensive…”
A former stylist, Hodes’ career shift to designing came as part of her Kundalini yoga teacher training; “(my teacher) Gurmukh told me; ‘if what you do is not aligned with this path, it’s probably not going to work for you.’” Fashion had always been “a guilty pleasure,” and styling “very much illusion shattering,” but “I was still very attracted to it.”
At summer solstice in 2011, “I thought I would move to Santa Fe, set up a store and start selling slip dresses. And suddenly everything fell away and the next thing I know I’m making them, doing a presentation and being featured in Vogue.”
As for the design process, “I try not to get too clinical about it,” but there is some serious positive intention going on here. “In Sikhism there is a sound current vibrating in all creation, which is why mantra is so important,” she says, giving a clue. Meanwhile, at the SS14 presentation there were candles and incense, “it was all an offering.”
All of which will appeal to a certain kind of customer for sure. And for everybody else, these are just beautiful clothes.
The Fall 2013 collection from AWAVEAWAKE can be viewed at www.awaveawake.com
Spirit Junkie Gabrielle Bernstein is as famous for her fabulous outfits as her modern girl philosophy on living a miraculous life. She talks wedding dresses, turbans and shopping from an abundance mindset with Ruby Warrington. Portraits by Annie Powers.
So did you always dress like the fashionista babe we know and love from your Instagram feed Gabby? No – I used to dress like Mariah Carey, I’m not even kidding. Horrifying! It was like the tighter the better because I used to work out so much, I was like I may as well wear tight clothes. Also when I was building my business really wasn’t into spending money on clothes.
So that wasn’t something you ever used to of make you feel good about yourself? That’s a trap a lot of people fall into… No! I wanted to always look good, but I didn’t need it to be a designer brand, or some major fashion statement. But that changed when I met my fiance Zach. He has very, very strong interest in fashion, and he would take me to McQueen and Barney’s, and places like Costume National and Comme des Garcons – for me it was like going to a museum.
Was there a turning point when you got into high fashion yourself? I think that happened when I bought my first pair of Isabel Marant sneakers, which coincided with me starting to be in the mindset of like; ‘oh I can afford to buy them’, you know? And that was kind of like a big deal for me.
I remember those first experiences too – spending real money on clothes and feeling like ‘this isn’t going to completely bankrupt me’. It’s like getting into an ‘abundance’ mindset… Yeah! It was amazing. But really if you always shop within your price range you can always feel abundant – buying on credit automatically creates a feeling of lack. And if you’ve saved up for something special the energy is clean. I’ve also got to a place where spending $300 on one special piece makes me feel way more special that walking out of H&M with ten bags of cheap plastic stuff.
We’ve spoken about this before, but tell me about detoxing your closet from all the ‘plastic’… I was addicted to hi-lo shopping, and I had to recognize that it was an addiction based on my old belief system. My parents weren’t wealthy, so my experience of gifts and shopping growing up was all about quantity over quality – that was normal, but not right. When I was able to witness that I put myself on 90 days of no hi-lo shopping. And I’ve remained abstinent!
You must get loaned a lot of stuff these days too? I was introduced to one of my favorite designers, Camilla, through my friend Annie Ladino, a really great stylist in New York. She put me in touch Camilla’s publicist Denise, and then they just started loaning me a ton of stuff – amazing. Now I own so many of her kaftans it’s insane. It’s become a go-to look for me because it kind of works anywhere anytime, even though it’s more beachy and summery.
“Doing a meditation for prosperity on the beach”“It’s a good day when…@camillawithlove”
And it’s also so the opposite of the whole ‘Maraiah Carey’, in your face sexy thing. Exactly, yeah. And you know, I used to dress like super hippie at college too.
Really? Like what kind of stuff? Oh my god like, corduroy pants and Birkenstocks and all of that shit! Ripped t-shirts…
Sounds rad… Do you still have any clothes from that period? Do you get sentimental about keeping old clothes, or do you prefer to keep the energy in your closet nice and clean of memories? The only things I have from back then are like, the things I stole from my college room mate…she had great style, but maybe don’t put her name in this story! But in general I’m not sentimental about material things, I don’t get attached. You’re setting yourself up for failure that way, because at some point it will be lost, or break, and if it’s become so special there’ll be a sense of loss.
The wings she wore on her first book cover; “a statement about being a spiritual girl in the material world”“Black Milk galaxy dress. Oh yeah I went there”
I think you’ve always been inspired by the way your friends dress too – right? Yeah, like my friend Elisa has become a sort of fashion guide for me. I just really like the way she puts herself together, so I started to buy what she was getting, you know. But it’s less about copying than enjoying and appreciating how somebody looks.
Some women can get territorial about their ‘look’ – what’s that all about do you think? That comes from a place of comparison and attachment to being uniquely ‘you’ – it’s a way for your ego to enhance your ‘specialness,’ as if only you can have that look. I say, when people want to dress like you see it as a compliment.
Do you feel like you do that with people, in the same way that you’ve had lots of different guides, teachers and gurus in your life as well? Yeah. I think in every area of your life you can definitely pick up different things from people you find inspiring and make them your own…even Zach has been a great teacher to me when it comes to fashion. But again, it’s about taking those ideas and making things your own – constantly bringing it back to what is real to you, and not getting too into the comparison thing of thinking ‘I have to be like you’.
Gabby’s portrait of kundalini guru Yogi Bhajan: “being well dressed was a sign of self-respect for him”“Wooden prayer beads obviously”
You’ve told me how you like to gift yourself also. Why is that important? When you buy something as a gift to yourself, the energy behind it is coming from a place of gratitude, as opposed to neediness. That’s when it becomes a gift, not an indulgence. A celebration of yourself.
So when do you gift yourself? Well around the time that I sold my fourth book I kind of had a little shopping party for a few weeks…
Oh, good! Yeah…but I have to be careful, because I can still find myself doing these weird, sporadic shops when I just end up with stuff I don’t need. I think a lot of women have this problem. So, I try to stick to only going out shopping with an intention, you know? You also said something once that really hit home for me – when you’re contemplating a purchase, ask ‘is there something else that will do the same thing?’
So what’s on your spirit junkie shopping list right now? Well since I got into Kundalini yoga I’m trying to buy more whites. Like yesterday I bought some white jeans and a turban online. The turban was from Venuis Turbans in LA, I basically just googled it!
Love it. I also got Zach some mala beads, which are for meditating with – it’s a necklace with 108 beads, which you count through your fingers as you chant a mantra. Usually when I’m teaching I’ll have a mala in my hand too, or if you’re like having a bad day you can just carry them with you.
Cool. I want you to talk to more about turbans, and why they’re important too… So, you when practicing Kundalini, you want to keep the energy you create in your body, that’s why you cover your head. From a personal perspective I also feel like I want to respect the sacred tradition – I feel like if I’m a teacher I’ve got to play by the rules. And I also do feel the difference. As you open your chakras, you can feel pain in your crown chakra. Like you can get headaches, or you can feel like, almost bruised on the top of your head – and when you wear the turban it feels better.
Almost like a little bandage? Why is that, that you feel sore? Because the energy is soaring through the top of your crown!
Okay wow. So back to the “whites.” Why? It’s about reflecting positive energy out into the world, whereas dark colors, and particularly black, can soak up negativity. So in general I have found myself clearing a lot of black out of my wardrobe. I just don’t feel that good when I’m wearing it anymore.
Did you wear a lot of black in your PR days? That’s the classic image of a New York City PR girl… Yeah, I think I’ve always worn a lot of black! And I love my black leather Acne jacket, it’s one of my most treasured items, but it can feel kind of like I’m wearing a dark hole, you know? It feels heavy. I’m actually thinking my new staple is going to be white jeans.
Good idea. What are your favorite denim brands? I like Citizens of Humanity and I actually don’t own a pair of Mother jeans yet but I love the way they look on people. I also really like Isabel Marant’s jeans, of course!
Now I’m interested to hear how else the contents of your wardrobe has shifted since you’ve began following a more spiritual path. Well apart from the white, I feel like I want to dress more beautifully, if that makes sense. I’m inspired by people like my Kundalini teacher Gurmukh, who always wears her turban and her whites, but might have a color she’s representing that day in her beads that is also reflected in a gem on her turban. She’s very artful about the way she adorns herself, almost like she’s dressing herself like a priestess.
Displaying necklaces in her wardrobe space at home: “I don’t wear them but I love how they look”“Love my new #kundalini snake tee”
Actually Gurmukh’s turban is really amazing. It’s outrageous. She hasn’t actually cut her hair for 45 years, and when she doesn’t wear her turban you just see this like huge bun on top of her head. It’s not dreadlocks, she washes it, but it’s probably down to her butt, you know?
Amazing. Are you going to stop cutting your hair as well? Absolutely not! But in terms of how I want to dress, in Kundalini in particular, it’s almost like a sign of respect for yourself and the class to show up really well dressed. I remember during my teacher training I was doing like a praktikum and I wasn’t wearing all white that day, and my teacher…
Sorry, what’s a praktikum? It’s where you take a fake class to practice. So I was teaching in front of my ‘class’ and I was being graded on it. And I didn’t wear all white that day and my teacher told me off! Even if you’re wearing wrinkled clothes, they’re like, ‘go iron your outfit!’ But it all comes from an emphasis on self-care. Yogi Bhajan was also really into jewelry and gemstones.
A dreamcatcher from Colorado above her writing desk; “I just dig it – a good thing to have around”Crystals on her alter; “they all have a different energy – I just have to remember to clean them!”
It’s interesting, in ‘The Doors of Perception’ Aldous Huxley talks a lot about how in visionary experience the world often reveals itself in this kind of glowing, jewel-like state. He thinks that that’s one of the reasons jewels have been so revered throughout history and why precious stones became precious. Because in some way they reflect to us the way the world was really made. That’s neat, that makes sense to me. And there’s also the energy and the healing properties of the stones. Gurmukh has told me I really need to get an emerald for my pinkie, because it’s the finger that represents the voice, the speaker, and the emerald amplifies the voice.
Nice. And I know we’ve spoken as well about the whole thing of living in your yoga clothes. Does that still happen? Yep! By day I’m in my yoga clothes which means by night I’m ready to get dressed up and go out.
“Biker jacket and #yoga pants. Always a good look”“Sat Nam folks!”
Which is probably the reverse to how a lot of women dress! Exactly, but I love to get dressed up for my evening lectures for example. For that my outfits can really vary. I mean I’ve worn anything from a really wild Camilla caftan, to like my Isabel Marant fringe boots with like tight black pants and a top. Then other times I’ll wear something more conservative, like a Helmut Lang blazer and jeans. It really depends on the crowd and the overall vibe.
Totally. And what about how an outfit makes you feel? I feel really empowered wearing nice clothes. It wasn’t always like that, I didn’t always care, but I’ve realized that fashion can literally make me feel like a different person. Whether I’m teaching or lecturing, wearing something that will expand my presence is important.
Absolutely. But do you ever have those days when nothing you put on makes you feel right? Like the hours are counting down to your lecture and you’re like ‘no, no, no.’ Have you got a go-to that always works? A good jumper is always a go-to. I have long ones, short ones, and actually if I were to buy anything new right now it would be more rompers because I like the way I can put it on and then I’m done. And I mean, even I had to go to a black tie wedding I think I’d wear like this Catherine Malandrino jumper I have.
Well speaking of weddings, how did you chose what to wear to marry Zach? This is like, the most important public speaking gig of your life. I take it you are doing a speech?! I’m wearing the second dress I bought…which it typical of the bad habits in my shopping style, like, get the first thing you see then go back and get it right! I wanted to wear something that was a real wedding dress, so I could feel like a bride. For anybody who wants to see it, we’ll be doing a #spiritjunkiewedding hash tag on Instagram. See you there!
